Our
Notation |
Indian |
British |
English |
S |
Sa |
Do |
C |
R |
Re |
Re |
D |
G |
Ga |
Me |
E |
M |
Ma |
Fa |
F |
P |
Pa |
So |
G |
D |
Dha |
La |
A |
N |
Ni |
Ti |
B |
This is a Raga created by Dr. Lalmani Misra on basis of classical principles of consonance. It blends Madhuvanti Multani and Ramkali.This beautiful evening Raga makes use of all seven notes. However, while ascending, the second and the sixth notes are skipped. It comprises third and sixth flat with sharp fourth. The seventh note is both, natural and flat. A special use of this seventh is indicative of Ramkali.
Audio Clip available on Tracks
Characteristics
Ascending order / Progression |
S bG #M P N S |
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Descending order / Regression |
S* N bD P, #M P bD bN bD P, #M bG R S |
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Jaati |
Pentatoinc ascending; Heptatonic descending |
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Sonant Note | P | |||||||||||||||||||||
Consonant Note | S | |||||||||||||||||||||
Time for rendering | Mid to late Evening | |||||||||||||||||||||
Sthai
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
bDbD | #M#M | PP | bG | bGR | -R | S | - | P | - | bD | |||||
dir | dir | dir | da | rda | -r | da | - | da | -r | da | |||||
bN | - | bD | P | - | bDbD | #M#M | PP | bG | bGR | -R | S | - | N* | -N* | bG |
da | - | da | ra | - | dir | dir | dir | da | rda | -r | da | - | da | -r | da |
R | - | - | S | - | N*N* | bD* | P* | #M* | P*P* | N* | S | - | bG | -bG | #M |
da | - | - | da | - | dir | da | ra | da | dir | da | ra | - | da | -r | da |
S* | NN | bD | P | - | |||||||||||
da | dir | da | ra | - | |||||||||||
X | 2 | 0 | 3 |
Antara
#M | PP | PP | N | -N | N | S* | - | ||||||||
da | dir | dir | da | -r | da | ra | - | ||||||||
- | bG*bG* | R*R* | S*S* | R* | R*N | -N | S* | bG* | #M*#M* | P* | bG* | - | R* | S* | N |
- | dir | dir | dir | da | rda | -r | da | da | dir | da | ra | - | ra | da | ra |
#M | PP | bDbD | bN | - | |||||||||||
da | dir | dir | da | - | |||||||||||
X | 2 | 0 | 3 |
Find Misrabani compositions in Rag Vibodh: Misrabani and Rag Rupanjali
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